New Rob interview with Premiere France
Translation
P: Is there some part of you that is thrilled to surprise your Twilight fans who would see Cosmopolis?
RP:
When my casting in Cosmopolis was announced, I saw many of them buying
Don DeLillo's book. And it doesn't shock them at all that I'm playing a
role like this one. On the contrary, I feel liek they want to see us
succeed, for us to be successful after the saga. They want us to be
loved and respected. They're aren't fans like any others, they might not
all be movie fanatics, but I can feel in them a desire to become one.
They're interested in what we do, even if it's an usual movie like
Cosmopolis. Actors that are in popular hits or franchises, often feel
like they have to do things that would please 'this' audience. But I
think that they underestimate their spectators. I know that Twilight
fans want to adapt themselves. If you've played in Transformers, it
doesn't mean you have to limit yourself to that all your life.
P: Cosmopolis press promise to be ... interesting. In hope that all the interviews won't focus only on one particular scene.
RP: I don't see which scene they could focus on that would reduce/narrow down the movie ...
P: I do ...
RP:
You mean the check-up scene, I guess? Having said that now, it's a
pretty good promo for the movie: "So, you get your prostate checked in
Cosmopolis?" *laughs* As soon as I have an erotic scene, teh most commun
you could imagine, I know I'll hear about it.
P: In Cosmopolis, there's one where a taser is involved?
RP:
The one in the hotel .. We shot that one in one take. Patricia
(McKenzie), the actress, was really at ease with her body. When we had
to rehearse the scene, she almost took all her clothes off. I just stood
there in my underwear, so embarrassed! After the scene was done, I went
to see the cameraman and asked him: "Is it me or what just happened was
really intense? I almost felt like I really had sex!" The sex scene in
History of Violence was already incredible. I don't know why but David
Cronenberg is really talented for that. It's a surprising speciality for
a director, but it's his.
P:
David Lynch is pretty good too for that. It's funny because when you see
Lynch and Cronenberg, the first thing that comes to mind isn't: "I'm
sure those guys shoot amazing sex scenes."
RP: It might be due
to the fascination that David has with the human body. Even in a movie
like Videodrome, he sexualizes everything - the orifice that James Woods
has on his belly looks a lot like a vagina. And I can really see David
thinking about it and tell himself: "MMMh, I like that." We see less and
less filmmakers having enough confidence that would let them flaunt and
dig their obsessions. It's like Tarantino and women's feet. It's his
thing, he likes that and thus going to put it iin all his movies. I'm
not attracted to feet but when they film those of Bridget Fonda in Jacky
Brow, it's sexy.
P: In Cosmopolis, you get a visit from Juliette Binoche in the limp. She uses the space in a very creative way ...
RP:
Originally, the sex scene with Juliette was supposed to happen in a
hotel room, but found it more interesting for it to happen in the limo.
You have to ask yourself a question: how to you film, with success, a
sex scene in a limo? Well, you end up bumping yourself everywhere in the
car *laughs*. The worst is that I met Juliette Binoche, who is one of
my favorite actresses, right before filming the scene. And 5 minutes
later, we were writhing in the limo ... Very strange. But yes, it was
more appropriate in that space.
P: What about Mathieu Amalric, the other French of the movie?
RP:
He's amazing. I'm sad he's mostly filmed in wide shots because you
can't really enjoy the crazy facial expressions he did. Does he work a
lot in France?
P: Not enough. But he directs too.
RP:
It doesn't surprise me. By the way, did you see the trailer for Rust
and Bone? If only Audiard decided to film in English .. He's probably
the biggest director active, able of making movies that touch the
general public while still being, indisputably, art. The performances in
his movies are the best, his action scenes are the best ... Not a lot
of filmmakers can reach his level, except for maybe James Gray, with
whom I dream of working.
P: What attracts you in project today?
RP:
I want to do a movie that would make people want to hang its poster on
their wall. Like with Trainspotting before: everyone had that poster in
their room, me being the first. It was a way to declare one's identity. I
dream of being in movies that would inspire the same thing.
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